June 23, 2010

Way Past Bedtime

How far can you take brand loyalty?

Earlier this month, we went to see one of our favourite musicians, Natalie Merchant, at Dublin's Helix Theatre. We've been listening to the music of the one-time 10,000 Maniacs vocalist for some time now, since she went solo back in 1994 with Tigerlily; and as far as we were concerned, she's one of the world greats, a true original who can do no wrong.

The singer was in Dublin to promote her latest recording, Leave Your Sleep, a series of children's poems set to music, and given her gorgeous reworkings of traditional songs on The House Carpenter's Daughter, we thought we were in for a real treat.

Instead, we had to sit through a mini-lecture on the poets who wrote the original rhymes and on Merchant's songwriting process, complete with slideshow portraits, and interspersed with what felt like only snatches of song. Even the author didn't seem terribly interested in what she had to say or sing, delivering her seminar with a take-it-or-leave-it attitude that suggested she herself found the format less than compelling.

What was remarkable about the evening was the good humoured indulgence of the audience, many of whom faced a long trip home before bedtime and sat half-dozing through the slideshow. It seems that the artist has built up such loyalty in her brand that we were prepared to allow her this sleepwalk through her latest project, like old friends sitting uncomplainingly through pictures of first day at school, scenes at the beach, and darlings in first holy communion splendour, stifling a yawn but too polite to make excuses and leave.

Only towards the end of the evening did we grow audibly restless, and the singer responded by finishing with five of her crowd-favourites, which brought the audience to its feet and sent us out into the night finally feeling we'd been at a concert. Or perhaps she'd always intended to reward us for our patience?

Speaking with friends afterwards, it seems that everyone there was similarly disappointed with most of the evening and I found myself wondering whether a brand can take uncomplaining loyalty too far.

Of course, Natalie Merchant is not the first artist to test her faithful's patience in this way. I remember hearing stories of Bob Dylan, Leonard Cohen and other greats, wilfully refusing to indulge their audiences when they had a new project to promote. Something about the set of Merchant's jaw, even from the distance of the thirty feet or so that separated us, suggested that she too was not inclined to pick up on the restless cues of her audience.

Those of us who work hard to build a devoted following for our brand can count on a certain tolerance from our customers but when this spills over into self-indulgence even the greatest loyalists will have their doubts.

No more bedtime stories for me, thanks!

May 30, 2010

Devaluing The Customer

'As one of our valued customers...'

I was tempted to stop reading at this point and bin the letter, but I knew no harm was intended, so continued on reluctantly.

Now I know it's well-meaning, but I find being addressed in this way is a real turn-off. The thought of being someone else's 'valued customer' puts me in mind of an oily huckster, rubbing his hands in glee at the prospect of another quick buck.

In the same way as I don't like to be called 'my friend' by a perfect stranger or 'pal' by someone whose angry tone tells me I'm anything but, the idea of being the 'valued customer' of a brand leaves me cold. Whilst I understand the sentiment (the company wants to tell me that my business matters to them), it's awkward and more likely to drive a wedge between me and them than to bring us any closer.

It's much better for a brand to lose the pompous, over-friendly language and choose words instead that better reflect the real relationship it enjoys with me.

Something along the lines of 'your business is important to us', backed up with evidence of how they value my custom is much more likely to win me over and keep me with them until the end of the message. As it was, only good manners stopped me from tearing up the letter and despatching it to the bin.

Over To You: What type of language from brands leaves you cold?

May 16, 2010

Stealing The Riches To Leave Us The Poorer

We were robbed!

Ridley Scott and Russell Crowe's hugely disappointing Robin Hood has raided the classic tale, stripped it of its valuables and left it for dead under the greenwood. The film had looked like the perfect family outing: a director / actor combination that we'd all loved in Gladiator, a great supporting cast, and above all, the promise of a new take on an epic story that always thrills no matter how often we've heard it told before.

But this was no Robin Hood. Sure, he was there in name, as were his merry men, alongside King Richard (briefly), Prince John and the rather nondescript Sheriff of Nottingham. And there was some token taking from the rich but only to give to the hard done by gentry. Yet where was the ingenious rascal, taking on the might of the stolen crown in a series of daring escapades, stunts and rescues? Where, in particular, were the rapier-sharp exchanges between our dashing outlaw and his dastardly and scheming opponent, the Sheriff of Nottingham?

Now, I know these can be (and have been) overdone, but they are at the heart of the charm of Robin Hood.

Instead, this Robin Hood plays like a greener Braveheart or a more sociable Maximus. Meanwhile, his enemies are weak, greedy and disloyal, rather than really bad. The result is a paler, dappled version that lacks the essential appeal of the great story that has persisted in one form or another since at least the early days of the last millennium.

On its own terms, this probably wasn't a bad film but we felt robbed of the promise held out in its title. Whilst the new story was engaging enough at times, by the end we didn't feel as though we really cared about what happened to Robin, Marian and the others. They didn't stand for anything important and the film played like a worthy piece of history rather than the great sweeping epic of yore.

This isn't just about a film that disappoints. There's a lesson in there for any of us who set out to tell a great story through branding. When you find a good yarn, it's up to you to tell it. Stick to your story and don't depart from it just to appear more relevant or interesting.

For my money, this Robin Hood stole one of the richest names in history, messed up the storytelling, and left us the poorer for it. Shame on you, Messrs. Scott and Crowe.

April 05, 2010

Low Fare, High Society

Somebody somewhere has the unenviable task of teaching Mr. Michael O'Leary how to 'smile nice and talk pretty'.

At least, I'm guessing as much with the recent news from our client Ian Cleary over at Razorcoast that Ryanair is finally flying the social media route. True to form however, the airline isn't joining in anyone else's community. No, it's planning to set up a private group for travellers to communicate with one another and with Ryanair.

Here's Ryanair spokesman Stephen McNamara's take on social media:

“Smaller airlines trying to gain market share may engage with it, but from our point of view, being so big, it would take a lot of resource,” he said. “We don’t have people sitting around to answer questions. With social media you get any and every query and a lot of rubbish, like people asking if they can bring a 10kg bag, which of course you can. The information is there on our site.”


Whilst some industry analysts have taken this latest online move as an indication that Ryanair is opening up to its community, I'm not so sure. Its attitude to mixing with customers is more more likely reflected in its announcement last year that "it is Ryanair's policy not to waste time and energy corresponding with idiot bloggers."

Hmm, not much smiling nice and talking pretty there.

It seems to me, that given the influence that Ryanair has on its customers, a community of its passengers could be a fairly hostile place, with people jumping queues, ignoring each other and shouting one another down.

In a previous post some years ago, I suggested that Ryanair seems to bring out the worst in people, both cabin crew and customers, so it's hard to take seriously the notion that the airline is planning to socialise with its customers in any way.

Whilst I never underestimate Michael O'Leary and his ability to commandeer a slot for the airline, I can't see Ryanair managing to put the social into high society.

Over To You: Do you think Ryanair can successfully fly the social media route through its new Ryanair community?

March 19, 2010

A Fear Of Shopping

This article first appeared on Bloggertone, a great resource for people in business.

Just when you thought it was safe to go back into the marketplace…

At first glance, you could easily make the mistake of thinking that everything was normal. On the surface, there appears to be a lot of activity. People are milling about, shaking hands, exchanging cards and talking business. Sometimes, one meeting leads to another and then to an invitation to send on more information or submit a proposal. But more often than not, it just leads to another meeting.

Then it hits you what’s not normal about this marketplace: It seems everyone’s a seller. There’s a great buzz out there but it’s terribly one-sided. People are pitching like crazy but hardly anyone is buying.

If money makes the world go round, this world has come shuddering to a halt.

And then a terrifying thought strikes with the suddenness of a great white: What if this is the new normal?

When you think about it, it’s not so surprising that buyers are in fear of shopping. Like day-trippers at the beach after a shark attack, it’s going to take something special to coax them back into the water.

Simply calling out to them to ‘Come in, the water’s beautiful’ isn’t going to do it. Not whilst the memory of the earlier carnage is still strong.

Of course, there’s not so much money floating about anymore, but it’s much more than that. There’s been a whole breakdown in trust between seller and buyer and nobody feels safe anymore. The ancient warning ‘Buyer beware’ rings out across the surface and never seemed more apt.

So what are you going to do about it?

In many ways, it’s ridiculously simple. You need to address the fears of your customers head-on. There’s no point in pretending nothing’s happened. There’s blood in the water and, as far as your customer is concerned, it’s sellers just like you who preyed on the unwary and spilt it there.

Using the same discredited language as those other sellers doesn’t help. That only confuses things further. You’ve got to find a new way to pitch your wares, a way that dispenses with the hype and rings true for your customer.

Dazzling them with science doesn’t help either. At a time when your customer doubts their own good judgement, it’s up to you to keep it plain and simple. Toss out the jargon and make your offer in layman’s terms.

As you’ll have guessed, this is no time for smoke and mirrors. When people feel safe, a certain mystery or intrigue can work wonders by adding some excitement to the mix. But in troubled times, mysterious gestures or vague promises become furtive and unsettling. Don’t be obscure or ambiguous. Instead, bring everything out into the open.

Be open too about your own motives in making the sale. When buyers have been savaged by offers that were too good to be true, there’s something powerfully reassuring about a deal that clearly adds up for both sides. Your exchange with your customer should work for you both, so don’t be coy about what’s in it for you.

Take the risk out of doing business with you for your customer wherever you can. Clearly display your terms of business and underpin your offer with a solid guarantee. Reassure your customer that you’re genuinely committed to making things work and are prepared to back that up with action.

But above all, be patient. Remember that your customer’s fear of shopping is well placed. It’s not so long since the waters turned red in a frenzy of bloodletting. Whatever you do, don’t rush your customer.

It’s up to you now to make those waters safe, and show them to be safe, in order that buyers can confidently take the plunge again and rediscover their love of shopping.